Author: Maxim Velčovský
Date: 2024
Material: glass, metal
Location: Milan Design Week 2024
Manufacturer / maker: Lasvit

Porta is based on the tra­di­tion­al tech­nique of kiln-formed glass, which trans­forms an ordi­nary flat sheet of glass into a sur­face with sculp­tur­al relief. Here, glass is not mere­ly the final mate­r­i­al, but also a space for exper­i­men­ta­tion— a sur­face capa­ble of cap­tur­ing the imprints of ges­tures, tex­tures and traces of a wide vari­ety of objects.

Maxim Velčovský: Porta
Maxim Velčovský: Porta

The relief is cre­at­ed with­in a lay­er of spe­cial refrac­to­ry pow­der resem­bling fine sand. For the artist, this lay­er becomes an imag­i­na­tive play­ing field. In Porta, Maxim Velčovský works with the imprints of human hands, but the same tech­nique allows almost any­thing to be used — from paint rollers and brush­es to ceram­ic beads and ropes. Every inter­ven­tion is then trans­ferred into the sur­face of the glass, becom­ing a per­ma­nent part of the final object.

The mon­u­men­tal instal­la­tion Porta was pre­sent­ed dur­ing Milan Design Week 2024, where it received the Fuorisalone Award. The project demon­strates how a tra­di­tion­al glass­mak­ing tech­nique can become a medi­um for con­tem­po­rary artis­tic expres­sion while find­ing new appli­ca­tions in archi­tec­ture and large-scale installations.